Born 1978 in Geneva, lives in Zürich, Switzerland
My work grows out of an interest in the materiality of the world, we ourselves are made from that world, from the iron that runs in our blood to the plastic that accumulates in our cells. Petrified ancient plants and organisms release the energy we depend on to produce the conditions we want for life, this then influencing the health of our bodies and that of the earth.
Solo Exhibitions
2024
- ‘Hellbender’, Kunstkasten Jubliläum, Winterthur, CH
2022
- ‘Time Spirals’, with Emma McNally, Large Glass, London, UK
2021
- ‘We Become’, Kunsthaus Pasquart, Biel, CH
- ‘Redevenir’, Villa Bernasconi, Geneva, CH
2019
- ‘Impressions de Vies’, Parc Saint Léger - Centre d’Art Contemporain, Pougues-les-Eaux, FR
- ‘The White Goddess’, Galleria Gentili, Firenze, IT (curated by Rita Selvaggio)
2018
- ‘Future Perfect’, Assembly Point, London, UK
2017
- ‘Dear Life’, Centre Culturel Suisse, Paris, FR
2016
- ‘We Dissolve’, Kunsthalle Sankt Gallen, CH
- ‘all is porous’, BolteLang, Zürich, CH
2015
- ‘Stranded’, Limoncello, London, UK
- Granpalazzo, Rome, IT
- ‘Where is Wild’, c-o-m-p-o-s-i-t-e, Brussels, BE
2014
- ‘Sustain, sustain’, Collective, Edinburgh, UK
- ‘Permeate’, Kunsthalle Marcel Duchamp, Cully, CH (curated by Nadine Wietlisbach)
2013
- ‘Clean Cold Fire’, BolteLang, Zürich, CH
- ‘Dear Energy’, Sommer & Kohl, Berlin, DE
- ‘Empty the earth to fill the sky’, Piano Nobile, Geneva, CH
2011
- ‘Looking for the pool’, Unosolo, Milan, IT
- ‘Not taught’, BolteLang, Zürich, CH
- ‘Three times a day’, Kunsthaus Baselland, Basel, CH
- ‘Natural means something like vegetables’, Christina Wilson, Copenhagen, DK
2010
- ‘Who Shapes What’, Limoncello, London, UK
2009
- ‘Surfaces for the mind to rest or sink into’, The Photographer’s Gallery Project Space, London, UK
- ‘stream, river, lake, river, stream’, BolteLang, Zurich, CH
2008
- ‘Flexible Values’, Limoncello, London, UK
- ‘Empty Centres’, with Pamela Rosenkranz, BolteLang, Zurich, CH
Group Exhibitions (selected)
2024
- ‘Blut & Staub - Wenn Reststoffe zur Werkstoffen werden’, Gewerbe Museum Winterthur, CH
- ‘The Drawing Biennal’, The Drawing Room, London, UK
- ‘ENTROPIA’, Kunstraum Riehen, CH
2023
- ‘Petromelancholia’, Brutus, Rotterdam, NL (curated by Alexander Klose, research group Beauty of Oil)
- ‘Fugacity’, Linnahall, Tallinn, EE (curated by Collective Actions)
- ‘Landscapes of Desire’, 4th Industrial Art Biennale, HR (curated by C.Doswald and P.Bianchi)
- ’Common Ground’, 8. Weiertal Biennale, Weiertal, CH (curated by Sabine Rusterholz)
- ‘Vivement Demain’, 15. Triennale d’art contemporain, Parc de Szilassy, CH
- ‘Giving Birth to the Sky’, Cima Norma Art Festival, Val Blenio, CH
2022
- ‘Print Art Now’, Musée Jenisch, Vevey, CH
- ‘The Interrupted Journey’, Haus am See, Unterägeri, CH (curated by Lorenzo Emanuele Metzler)*
- ‘Soil to Soil’, Altefabrik, Rapperswil, CH
- ‘Dopesick’, Binz 39, Zürich, CH (curated by Kristina Grigorjeva)
- ‘Aus den Fugen. Momente der Störung’ (‘Out of joint. Moments of disruption’), Migros Museum, Zürich, CH
2021
- ‘Oil. Beauty and horror in the Petrol Age’, Kunstmuseum Wolfsburg, DE *
- ‘Swiss Sculpture, 1945 to today’, Kunsthaus Aarau, CH *
- ‘Zitronen und Zement’, Atelier Hermann Haller, Zürich, CH
2020
- ‘WE HYBRIDS!’ Istituto Svizzero, Rome, IT
- ‘Eroded Landscape’, Château de Rochechouart, Musée d’Art contemporain de la Haute-Vienne, FR
- ‘When color becomes form’, VFO, Zürich, CH
- ‘/NATUR/TIERE/KÖRPER/MASCHINEN/ MENSCHEN/GEFÜHLE/’, Helmhaus, Zürich, CH
- ‘Avant demain’, Château de Penthes, curated by Karine Tissot, Geneva, CH
- ‘Habitat’, Public Art Biennal, Morcote, CH *
- ’Beauty is everywhere’, Museum Bellpark, Kriens, CH
2019
- ‘Konkrete Gegenwart’, Museum Haus Konstruktiv, Zürich, CH *
- ‘Bonding in Whispers’, C-o-m-p-o-s-i-t-e, Brussels, BE
- ‘Paradise, Lost’, 6. Weiertal Biennale, curated by Christoph Doswald, Winterthur, CH *
2018
- ‘Kunstankäufe der Stadt Zürich 2011–2018’, Helmhaus, Zürich, CH
- ‘Cirtus North’, easy!upstream, Münich, DE (curated by Susi Gelb)
- ‘20’, Les Halles, Porrentruy, CH (curated by Emilie Guenat)
- ‘On Unsteady Ground’, CCA, Hubbell Street Galleries, San Francisco, USA
- ‘Europe in China / Opus II’, Qingdao Sculpture Museum, Qingdao, China
- ‘Vanessa Billy, Markus Gadient, Barbara Maria Meyer, Edit Oderbolz’, Kunsthalle Palazzo, Liestal, CH
2017
- ‘Slow Objects’, The Common Guild, Glasgow, UK
- ‘La Ruche et la Valise’, Villa Bernasconi, Geneva, CH
- ‘Le Charme Indiscret’, Kunstraum Riehen, Basel, CH
- ’Collection Show’, PS8 Playspace, California College of the Arts, San Fransisco, USA
- ‘ORIGINAL FAKE’, Maisterravalbuena, Madrid, ES (curated by Adam Carr)
- ‘Freshwater Fish’, Sommer Contemporary, Tel-Aviv, IS
- ‘La Vie, Mode d’Emploi’, Centre d’Art Contemporain Chanot, Clamart, FR
2016
- ‘The Concave Mirror’, BACO, Bergamo, IT
- ‘Project 1049’, Site-specific interventions, LUMA foundation, Gstaad, CH (conceived by Raphael Hefti and Paul Kneale)
- ‘Refine all Pores’, Peekaboo, Kunstverein Wagenhalle, Stuttgart, DE
- ‘Exercises in style’, Suprainfinit gallery, Bucharest, RO (curated by Simina Neagu)
- ‘Colony Collapse Disorder’, Sonnenstube, Lugano, CH (curated by Isaline Vuille and Laura Guidici)
- ‘Good things come’, Plymouth University, Plymouth, UK
- ‘WAR II’, Mostyn, Llandudno, UK
2015
- ‘Demain dans la bataille, pense à moi’, Institut d’Art Contemporain, Villeurbanne, FR
- ‘ANTHROPOCENE’, Meessen de Clercq, Brussels, BE
- ‘Alive for an instant’, Stereo, Warsaw, PL
- ‘Local Objects’ IKAEZHANG, Milan, IT (curated by Rita Selvaggio)
- ‘Waterbound’, Kallmann Museum, Ismaning, DE
- ‘The Infinite Lawn’, Tenderpixel, London, UK
- ‘TAVERNA’, as part of Icastica, City Arts Festival, Arezzo, Tuscany, IT (curated by Ilaria Gianni)
- ‘Art en plein air’, Môtiers, CH *
- ‘Engagements’, Musée Sainte-Croix, Poitiers, FR *
- ‘Partial Presence’, Zabludowicz Collection, London, UK
2014
- ‘Time remembered’, William Arnold, NY, US
- ‘Le geste des matériaux’, Centre d’Art Bastille, Grenoble, FR
- ‘Swiss Art Awards’, Basel, CH *
- ‘Emergences’, Sculpture Triennale, Bex & Arts, CH *
- ‘Thinking Things’, Cafe gallery Project, London, UK (curated by Frances Loeffler)
- ‘Cocu ou marron’, CAN, Neuchâtel, CH
- ‘Stone’, Northern Gallery of Contemporary Art, AV Festival 14: Extraction, Sunderland, UK
2013
- ‘Blow-flies’, Photoforum, Centre PasquArt, Biel, CH (curated by Nadine Wietlisbach and Danaé Panchaud)
- ‘No name’, On Stellar rays, New York, USA
- ‘V22 Collection Show’, V22, London, UK
- ‘Le pas funambule’, Les halles de la Fonderie Carouge, Piano Nobile, Genève, CH
- ‘Collection Joseph Kouli’, Mains d’oeuvres, Saint-Ouen, FR *
2012
- ‘La jeunesse est un art’, Jubiläum Manor Kunstpreis, Aargauer Kunsthaus, CH *
- ‘A drawing while waiting for an idea’, Large Glass, London, UK
- ‘Artists as Storytellers’, Sic! Raum, Lucerne, CH (curated by Nadine Wietlisbach)
- ‘Collecting, Collections and Concepts’, Guimarães, PT * (curated by Paolo Mendes)
- ‘Minimal Structures, New Existentialism Part 5’, Altefabrik, Rapperswil, CH (curated by A. Blaettler)
- ‘Manufacture’, Centre Pasqu’art, Biel, CH (curated by Zoe Gray and Sandra Patron)
- ‘Economy of means; towards humility in contemporary sculpture’, SMoCA, Scottsdale Museum of Contemporary Art, AZ, USA
2011
- ‘….there is a crack in everything’, Michael Janssen, Berlin, DE
- ‘Possession’, The Art Foundation, Athens, GR (curated by Lorenzo Gentili)
- ‘Young London’, V22 Workspace, London, UK *
- ‘Drop Handkerchief Backdrop’, 1857, Oslo, NO
- ‘Some things come out of nothing, nothing seems to come from something’, Galeria Nuno Centeno, Porto, PT
- ‘Keep Floors and Passages clear’, White Columns, New York, US (project by Tom Godfrey)
2010
- ‘Recent British Sculpture’, Grimm Gallery, Amsterdam, NL (curated by Tom Morton) *
- ‘Session9Object’, Am Nuden Da, London, UK
- ‘The Zero Budget Biennial’, Cardenas Bellanger, FR (curated by Johanna Fiduccia and Chris Sharp)
2009
- ‘Sun Neither Rise Nor Set’, Royal College of Art, Hockney Gallery, London, UK
- ‘Boule to Braid’, Lisson Gallery, London, UK (curated by Richard Wentworth)
- ‘Double Objecta’, Thomas Dane, London, UK (curated by Leigh Robb)
- ‘Young people visit our ruins and see nothing but a style’, GAM - Galleria Civica d’Arte Moderna e Contemporanea di Torino, IT (curated by Form/Content)
- ‘Timewarp’, Centre Rhenan d’Art Contemporain Alsace, Altkirch, FR (curated by Felicity Lunn)
- ‘I am by birth a Genevese’, Vegas Gallery, London, UK / Forde, Geneva, CH
- ‘Contested Ground’, Project Space 176, London, UK
2008
- ‘100 Years, 100 Artists, 100 Works of Art’, A Foundation, Art on the Underground commission, London, UK *
- ‘ARTfutures’, Bloomberg Space, London, UK
Commissions
2022-23
- ‘La Matrice’, Public Commission, CDH-Culture, Rolex Learning center, EPFL, Lausanne, CH
2018
- ‘Tränen’, public art commission, Jubiläums 500 years Reformation, Kirche St. Peter, Zürich, CH
- Desktop Residency
2016
- Migros Tragtasche, Migros carrier bag design commission, Migros Kulturprozent, CH
2014
- ‘Back to the Beginning’, Detroit, temporary sculpture commission, Bristol Temple Meads, UK
2013
- ‘Leiter, Leichter, Weiter’ Stadt Zürich, Kunst and Bau, permanent public work, Ilgen Schule, Römerhof, CH
2012
- ‘Lifting the Earth’, Art and the City, temporary public sculpture project, Zürich West, CH *
2009
- ‘Two Trees’, Regents Park, Frieze Sculpture Park, London, UK
Symposiums / Lectures / Teaching (selected)
- 2023 ‘No Emission, No Exploitation’, with Yasmin Afshar and Elise Lammer, Talking HEADS conferences, Geneva, CH
- 2022 ‘Entangled Ecologies – Artists Co-Learning from Dongbei and Beyond’, Wu Space, China
- 2022 ETH, ‘Recycling symposium / Space of accumulation’, Chair of Christ & Gantenbein, ETH, Zürich, CH
- 2022 EDHEA, Jury MA in the Public Sphere, Sierre, CH
- 2021 ZhdK, BA Scenography, Artist presentation, Zürich, CH
- 2020 UNIARTS, University of the Arts, Visiting lecturer, Helsinki, FI
- 2016 Institut Kunst HGK FHNW, Artist talk, Basel, CH
- 2014 Glasgow School of Art, MA in Art and Environment, Guest lecturer, Glasgow, UK
- 2010 ‘Shaping Sculpture’, Chelsea College of Art, London, UK
Publications / Books (selected)
- ‘Material Migrations’, text and image commission for Fieldnotes, London, UK, April 2024
- ‘Eine andere Schweizer Kulturgeschichte’, by Hans Peter Hertli, Rüffer & Rub publisher, Mai 2023
- ‘The Book of Ladders: 100 Contemporary Artworks’ edited by Adeline de Monseignat, texts by Paul Carey-Kent, October 2022
- ‘We Become / Redevenir’, Monograph, with texts by Simon Baier and Hannah Landecker, Verlag für Moderne Kunst, Nov 2021
- ‘Surrounded by Art’, The Julius Baer Art Collection, published by Scheidegger & Spiess, October 2020
- ‘Fountain’, artist book with writing by Thogdin Ripley, published by Rollo Press, December 2018
- ‘Fare Luce / Shedding Light’, Inventario, edited by Beppe Finessi, Corraini Edizioni, Milan, IT, March 2017
- ‘FLAC Guide Contemporain Vol.III’, Editions Payot, Nov 2016
- Young London 2011-2013, edited by V22, published by Grey Tiger Books, 2014
- TAKE, artist book published by Piano Nobile, February 2013
- ‘Vanessa Billy’, Cahiers d’artiste, Artist Monograph, Pro Helvetia, 2010
- ‘Why Shapes What’, Artist book designed by Kellenberger-White, published by Ditto Press, 2010
- ‘Shaping Sculpture’, edited by George Unsworth University of Arts, London, UK, 2010
- ‘FLATWORK’, edited with Kitty Anderson, London, UK, 2008
- ‘No visible means of support’, Artist book, Geneva, CH, 2006
- ‘Sexymachinery’, London, UK, 2002
Bibliography (selected)
- ‘Time Spirals’, review by Matt Bowman, Art Monthly, Feb 2023
- Artforum ‘Vanessa Billy, Redevenir / We Become’, review by Adam Jasper, Artforum, Feb 2022
- Kunstbulletin ‘Vanessa Billy – We Become’, by Alice Henkes, Nov 2021
- Kunstbulletin ‘La Vie Matérielle’, by Isaline Vuille, Nov 2021
- Zérodeux magazine ‘Vanessa Billy: Impressions de Vies’ review by Martha Telliug, Septembre 2019
- Tageblatt ‘Une exposition des oeuvres de Vanessa Billy montre l’hybridisation des territoires’, by Clotilde Escalle, Luxembourg, 16 août 2019
- Flash Art ‘Vanessa Billy: The White Goddess’, by Elena Magini, March 2019
- Mousse Magazine ‘Vanessa Billy: Substance and its behaviour’, Conversations, by Chiara Moioli, Mousse Magazine, February 2019
- ‘Glut und Tränen im St.Peter’, by Urs Bühler, Neue Zürcher Zeitung, 21th December 2018
- ‘Tränen für St.Peter’, by Claudia Jolles, Kunstbulletin, Dec 2018
- Le Phare, ‘Le vivant et le déchet’, by Isaline Vuille, Journal n° 25, Jan 2017
- Artforum, Review by Javier Hontoria, Nov 2016
- Kunstbulletin, Fokus by Deborah Keller, Nov 2016
- Thought Through Things, Caoimhin Mac Giolla Leith, Exhibition text, Collective, October 2014
- Bilanz, Künstler-Rating 2012: Art in der Grenze, portrait by Brigitte Ulmer, June 2012
- Arte e Critica, ‘Vanessa Billy: Forme in divenire’ by Valentina Briguglio, No. 69, Dec 2011
- Kunstbulletin, ‘Vanessa Billy’, Portrait by Daniel Morgenthaler, Dec 2011
- Frieze, Focus by Jonathan Griffin, Issue 138, April 2011
- Basler Zeitung, insert edited by Adam Szymczyk, 15th June 2010
- Art Review, ‘London Reviews Marathon’ by J.J. Charlesworth, Issue 40, pp. 78+80 April 2010
- This is Tomorrow, ‘Vanessa Billy: Who Shapes What’ by Mihaela Vazari, March 2010
- Art Monthly, ‘The Photographic Object’, by David Ryan, no. 327, June 09, p.28-29
- Flash Art, ‘London Artists Dictionary’, No.262, Oct 2008, p.89
- Frieze, ‘Flexible Values’, by Chris Fite-Wassilak, Jun-Aug 08, p.234
Grants & Awards
2020
2019
- Research bursary on bio-plastics, Pro Helvetia
2014
- Swiss Art Awards
2012
- Werkstipendium Kanton Zürich
Public Collections
- Centre National des Arts Plastiques (CNAP), Paris, FR
- Museum Haus Konstruktiv, Zürich, CH
- Migros Museum für Gegenwartskunst, Zürich, CH
- Fond Cantonal d’Art Contemporain (FCAC), Geneva, CH
- Collection de la Ville de Lancy, Geneva, CH
- British Arts Council (part of ‘Keep Floors and Passages clear’), UK
- Graphische Sammlung ETH Zürich, CH
- Bibliothèque Nationale Suisse, CH
- Kanton Zürich, CH
- Stadt Zürich, CH
- Die Post, Kunstsammlung, CH
- Federal Art Collection (BAK), Bern, CH
* with catalogue